LaVidaEnBlack History Month Day 18

LaVidaEnBlack History Month Day 18

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai…

Graciás Professor Evo or Darwin Peña for your insights, your abundant intellect and all this very interesting information!

MimiTVA Posting from the DMV, Thursday, February 18, 2016

African people’s fight for freedom throughout the Americas began the minute we were illegally captured, stolen and enslaved in the motherland.  Africans who had escaped slavery in Brazil and created their own township or a Quilombo. Quilombo is a portugese word derived  from an Angolan language “Kilombo” and it means a warrior village or settlement. The Quilombo dos Palmares was actually  a country in South America and today it is located in the coastal region known as Alagoas, Brazil.

Quilombo dos Palmares was a self-sustaining settlement that was approximately the size of modern day Portugal.  At it’s most productive, Palmares had over 30,000 residents.  Their great king Ganga Zuma would free every African seeking refuge.

 

In the beginning the settlement of free Africans became a thorn in the side of the Portuguese.  The residents of Palmares sometimes invaded mills to liberate slaves, they would confiscate food, weapons and also abducted women, who were a rare commodity in the quilombo.  Diogo Botelho,the Governor General of Brazil  sent an expedition of 40, 60 soldiers or maybe more, according to some historians. After they destroyed their dwellings and had taken prisoners, the Portuguese thought they had won the battle. However   whenever the Portugese soldiers appeared, Palmares residents retreated into the woods, leaving destruction behind where plantations and cabins that were destroyed and burned. And shortly after new dwellings and plantations were erected.

This constant destruction and subsequent reconstruction was a very difficult way of life and severely stifled the growth of the Quilombo. And then a fortunate little war helped seal the fate of Quilombo dos Palmares. The Dutch landed at Pernambuco in 1630, and tried to rob the profits of sugar from the hands of the other opportunists, the Portuguese and the Spanish, who were at the time under the same king’s reign. This hostile invasion created an absolute uproar in the Northeast region of Brazil. With the Dutch initial victory in 1645, some of the second generation Brazilian Portuguese engaged them in guerrilla warfare. Subsequently these Plantation owners had to enlist their slaves to fight the Dutch, which in turn facilitated their escape. And amid the hostility and chaos, the Quilombo de Palmares grew, with thousands of new free African residents. When the Dutch were finally expelled in 1654, the township had become a powerful land formed by several populated settlements.

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Rumor has it that the population of Palmares was polygamous and possibly even polyandrous – meaning that a woman could have multiple husbands. To feed the growing population, their economy was a mixture of enterprises, including, hunting, gathering and agriculture.   The Quilombo farmers planted crops such as cassava, sweet potatoes and beans.  There was trade with neighbors. “The idea that Palmares was an isolated refuge in the woods may be true for the first few years of settlement. However, after mid-century, the relationship between blacks and their neighbors certainly evolved into an intense exchange with Indians and whites,” says Flávio Gomes, researcher at the Department of History of the Federal University of Rio de Janeiro (UFRJ).  A true community was created with belonging , residents and a thriving economy.  Supposedly whites did engage in the Quilombo dos Palmares and it is known that this happened later in quilombos of other regions. Despite their alleged hostility toward whites, there is evidence that livestock farmers brought their flocks to graze in the area of Palmares and maintained trade with the quilobolas to the point of being called, disdainfully “colonists of the blacks.”

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Map of Quilombo dos Palmares

The residents of the Quilombo dos Palmeres apparently did have a good relationship with the  Indians. Archaeological excavations have found Indian pottery, probably contemporary to the quilombo. “It is tempting to make this association and say that Indians were within the quilombo, but we could be dealing with some type of trade,” says American archaeologist Scott Allen, of the Federal University of Alagoas. According to Pedro Paulo Funari, historian and Unicamp archaeologist who joined the first team to take soundings at the site 15 years ago, pottery indicates that there were Indians in Palmares:  “The ceramic production was linked to the attributions of women. The presence of this material in Palmares may mean that the ex-slaves had Indian wives.” Something perfectly consistent with the lack of black women there. Anyway, mestiçagem (racial mixture) was on the tip of the tongue of Palmares inhabitants. Their language seemed to have an African base mixed with words and structures taken from the Portuguese and Tupi – the settlers needed interpreters to speak with them.  Illustrative of its complexity, Quilombo dos Palmares in 1640 was described as comprising several separate settlements which pledged their loyalty to one leader (chief).  Two of the settlements were mostly of Amerindian origin (Subupira e Tabocas); one of Portuguese colonists who joined the quilombo (Amaro), and seven Bantos, that is, settlements of fugitive slaves (Andalaquituche, Macaco, Aqualtene, Ambrabanga, Tabocas, Zumbi, Arotiene). With its capital in Macaco, Palmares possessed a complex social structure, replicating, in many instances, African political systems. – See more at: http://www.blackpast.org/gah/palmares-ca-1605-1694#sthash.WNeQThDC.dpufpark-2

LaVidaEnBlack History Month Day 10

LaVidaEnBlack History Month Day 10

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai… Gracias Profe Evo!

Posting from the DMV, February 10, 2016

María Isabel Urrutia Ocoró (born 25 March 1965) is a former weightlifter, athlete and politician from Colombia.  Raised in Valle del Cuaca, she was always a stellar athlete.  Starting out in shot put and the discus throw she represented Colombia in the 1988 Summer Olympics.

On the advice of her coaches, Maria Isabel switched to weightlifting  in 1989 became an amazing champion.  Urrutia won silver at the 1989 World Championships.   She went on to win gold at the 1990, silver 1991, gold 1994, silver 1995, bronze 1996, silver 1997, and bronze at the 1998 World Weightlifting Championships.

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Urrutia won a gold medal in the women’s 75 kg class in the 2000 Summer Olympics  becoming the second Colombian woman to win a medal and the first ever to win gold.  Maria Isabel Urritia is still the only gold medal winner to represent Colombia.  During these games she carried the flag of Colombia in the inaugural parade. Post her Gold medal win, she was honored through out Latin America.

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Colombian flag-bearer Maria Isabel Urrutia leads her team onto the field during the opening ceremony for the Summer Olympics Friday, Sept. 15, 2000, at Olympic Stadium in Sydney, Australia. (AP Photo/Beth A. Keiser)

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Nowadays she is retired from sports but she also became a politician.   Urrutia held a seat in the Chamber of Representatives of Colombia from 2002 to 2010 (twice elected: 2002 and 2006).  A popular elected official she was noted for her excellent legislative results and transparency in governing.

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LaVidaEnBlackHistory Month Day 9

LaVidaEnBlackHistory Month Day 9

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai…

MimiTVA Posting from the DMV, Tuesday February 9, 2016

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La Lupe

La Lupe was born in Santiago de Cuba in on December 23, 1939.  An electric, frenetic amazing entertainer and singer, she made a name for herself throughout the world coming from a poor town in Cuba to the stages of New York.  This excerpt from her appearance on the Dick Cavett show is unforgettable.

La Lupe was born in the barrio of San Pedrito in Santiago. Her father worked at the local Bacardi distillery and a he of course had a profound influence on Lupe’s early life. In 1954 she participated on a radio program which invited fans to sing imitations of their favorite stars. Lupe skipped school to go sing a bolero of Olga Guillot’s, called Miénteme (Lie to me), and won the competition. The family moved to Havana in 1955, where she was enrolled at the University of Havanna to become a teacher. She admired Celia Cruz and like her, she was planning to be a teacher before starting to sing.

Lupe married Eulogio “Yoyo” Reyes, in 1958 and formed a musical trio Los Tropiccuba with her husband  and another female singer.  Los Tropiccuba broke up in 1960, along with the marriage. She began to perform her own act at a small club in La Habana, La Red (The Net), which had a clientele of distinguished foreigners. She got devoted fans at La Red, the likes of Ernest Hemingway, Tennessee Williams, Jean-Paul Sartre, Simone de Beauvoir and Marlon Brando. She then released her first album, Con el Diablo en el cuerpo (With the Devil in my body) in 1960, for RCA Victor. Her first television appearance on Puerto Rican television caused an uproar because of her “wild” energy and seemingly sexualized performance, that shocked some viewers.

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Lupe was exiled to México where she asked Celia Cruz to help her get work.   Celia recommended her to Mongo Santamaría in New York. Once she arrived in New York City, Lupe had a standing gig at a cabaret called La Barraca.   She started recording again, making more than 10 records in five years. She also was married and divorced for a second time, to salsa musician Willie García, with whom she had a daughter.

Lupe’s had an amazing vocal range, mastering a full plate of latin music styles – son montuno, bolero, boogaloo, Dominican merengue, plus Puerto Rican bomba and plena. It was her recordings which brought Tite Curet Alonso into prominence as a composer of tough-minded boleros in the salsa style. For a good part of the 1960s she was the most acclaimed Latin singer in New York City due to her partnership with Tito Puente. She did a wide variety of cover versions in either Spanish or accented English, including “Yesterday”, “Dominique” by The Singing Nun, “Twist & Shout”, “Unchained Melody”, “Fever” and “America” from West Side Story. FRED WEINBERG, who was her favorite audio engineer, also produced several of her albums. Weinberg nick named Lupe “A Hurricane” in the studio because of her intensity and enthusiasm.

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Her performances became increasingly decadent. There were rumours of drug addiction and that her force of nature personality made her real life “a real earthquake” according to close friends. She ended some of her performances having  be treated with an oxygen mask. Although she may have been poorly managed by her label Fania Records in particular, she managed and produced herself in mid-career, after parting ways with Tito Puente.  Unfortunately her ephemeral career went downhill, the explosion of the salsa and the arrival of Celia Cruz to New York, were the determining factors of the rapid decline of her career.

A devout follower of Santería, she continued to practice her religion putting at risk the fortune and fame she had acquired through her short career. Her record label, Fania Records, ended her contract in the late 1970s, perhaps simply because of her falling record sales. She retired in 1980, and found herself destitute by the early 1980s. In 1984 she injured her spine while trying to hang a curtain in her humble home; she initially used a wheelchair, then later a cane. An electrical fire made her homeless. After being healed at an evangelical Christian Crusade, La Lupe abandoned her Santería roots and became a born-again Christian. In 1991, she gave a concert at La Sinagoga in New York, singing Christian songs.

She died of a heart attack at just 52 years of age.  She was survived by her second husband William García, son René Camaño (from her first marriage) and her daughter Rainbow García (from her second marriage). She is buried in Saint Raymond’s Cemetery in the Bronx.

LaVidaEnBlackHistory Month Day 7

LaVidaEnBlackHistory Month Day 7

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai… Gracias Profe Evo!

By MimiTVA posting from the DMV, Super Bowl Sunday February 7, 2016

Today as we watch the Super Bowl the son of a Colombian man will head out to work as hard as he can for a Carolina Panther’s win in Super Bowl numero 50.

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Fernando Velasco

Velasco’s work ethic is a lesson instilled by his grandfather. Velasco credits this work ethic in the NFL and to be playing in the Superbowl today. Velasco has been a challenger for a roster spot in the past and is today competes for a Super Bowl ring and his place in Football history.

Velasco’s career in the NFL had him bouncing from team to team even at the beginning of this season he was playing with the Tennessee Titans.  An undrafted free agent in 2008, Velasco spent most of that year and 2009 on the practice squad. Versatility — his ability to play either guard spot and center — helped him make the team’s “swing” guy,  a backup interior lineman who is active on game days for the Titans.  He played with the Pittsburgh Steelers and the Carolina Panthers before 2016 And the Titans released him in August.  And then on September 17, 2015, Velasco was signed by the Carolina Panthers to play center and be the back up to their 4-time Pro Bowl center, Ryan Kalil. After a ankle injury to Kalil, Velasco would start the week 8 contest against the Indianapolis Colts.

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“The thing about that area, everybody’s just hard workers, so that’s the thing that I definitely know is the reason I’ve been in the league this long, especially being an undrafted free agent, is just that work ethic,” Velasco said. “You come to work every day ready to get better. You don’t get content about being on the practice squad. You can’t get content about being a backup. So you always want to get better. You don’t want to be content.”

“Growing up in the household with my granddaddy, he went to work every day until he was 80-plus years old,” Velasco continued, “so seeing that from him, I can’t be content with anything less than being the best I can be.”

Velasco’s grandfather would be up and out at the crack of dawn to spend the day “loading and stacking” working for a grocery warehouse. Velasco’s Granddad would work late and then get up and do the same everyday until he passed away during Fernando’s freshman year in high school, “but that’s what he did to take care of the family.”

Velasco’s father is from Colombia and immigrated to America. He met Velasco’s mother in New York but was incarcerated for most of Velasco’s childhood and is prohibited from returning to America. Velasco’s grandfather filled the void.EAC4W9

“I had my granddaddy there, so it was a good learning experience,” Velasco said. “Sometimes it was frustrating, not having a dad to throw the ball around with, but it was a blessing and the Lord does things for a reason. It made me be the man I am today.” Velasco has reestablished a relationship with his father, who lives in Sweden. They’ve communicated through social media like Facebook and Skype and talked on the phone. Velasco met his father in Canada last year and Jamaica this off season and thinks he might go to Sweden after this season.

There’s work to be done before that, however, because of Tennessee’s commitment to add competition and depth on the interior of the offensive line and across the roster. In addition to tendering Velasco, the Titans brought in veteran free agents

LaVidaEnBlackHistory Month Day 5

LaVidaEnBlackHistory Month Day 5

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai…

MimiTVA posting from the DMV, Friday February 5, 2016

Cuban filmmaker Gloria Rolando has been an inspiration to me for quite some time.  Her films are treasures of knowledge presented in the way of a modern day Griot, proud and brilliant; they make me eager to connect to my ancestors and fill me with pride in the way my father’s booming voice did oh so long ago.

BalconGloria Rolando’s first film; “Un Eterno Presente: Oggún” is an audiovisual homage to the Yoruba diety Oggún.  Oggún is the blacksmith diety resenting the modern world of industrialization, and works with metals and technology through the songs of the immense Yoruba vocalist, Lazarro Ros.  In this film Rolando explains how the men and women of Lázaro’s generation, are the last bridge tying us to the Africa that gave birth to its roots in the Americas. “We must recognize that it contains legends and universal values that explain the world. My personal experience with Oggún demonstrates to me that this is possible.”

 

In”Eyes of the Rainbow,” was made in 1997, is a documentary about Assata Shakur, the Black Panther and Black Liberation Army leader who took refuge in Cuba after years of struggles in the US. The film integrates AfroCuban culture, including the Orisha Oya, to show Assata’s place in Cuba, where she has lived for the past three decades. In English.

Gloria’s latest film effort is about the Indepedientes de Color or The Independents of Color a Cuban Political party that was formed after the largely Mambi Army ousted the Spaniards from Cuba in the late 1800’s.   Recent research in Cuba has established that this army was overwhelmingly made up of Cubans of African descent (80% and perhaps as high as 90%): consequently  it was thus one of the largest slave revolts in the hemisphere.  When the Mambises had ejected the Spaniards from Cuba, the plantocracy  / plantation owners became allies of the Americans.  These events led to the little known Massacre of 1912.

Evaristo Estenoz founded the Independents of Color in 1908 in order to secure a rightful share for Afro-Cubans in all aspects of  Cuban society; specifically the government which had successfully marginalized them. He was murdered by Cuban troops in 1912 along with over 6,000 other AfroCubans, fellow party members, after an intense media campaign carried out by the plantocracy to demonize the party.  As famed sonero Arsenio Rodriguez says: “Hay que adorarlos como a Martí!”  Roots of my heart is the first treatment on film of a  history that has been largely ignored by both sides of the Florida Straights.

 

 

 

LaVidaEnBlackHistory Month Day 4

LaVidaEnBlackHistory Month Day 4

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we see an example of how to live, how to inspire and how to honor our ancestors, Aguanile, Mai, Mai… Gracias Profe. Evo!

Posting from the DMV, Thursday February 4, 2016

Cheo Feliciano’s smooth distinctive voice was loved and revered by salsa fans throughout the world.  Unfortunately in 2014, Feliciano passed away in a car accident losing control of his car and hitting a light pole.  But Feliciano’s brushes with death were not uncommon and his is a story to be remembered and admired.

Feliciano (birth name: José Luis Feliciano Vega) born in Ponce Puerto Rico.  His childhood nickname, “Cheo” came from his family, a colloquial version of José. And the name stuck plus he was not to be confused with the other Jose Feliciano who was of no relation.  At a young age Cheo was influenced by the boleros of the Trio Los Panchos. When Cheo was just eight years old he started his own group named “El Combo Las Latas”.  Their musical instruments were made out of cans because that’s all they could afford at the time. And as a young teenager in Ponce, he went on to study percussion.

Feliciano and his family moved to Nueva York to the heart of Spanish Harlem.  Once in New York, he auditioned and got the gig as a percussionist in the “Ciro Rimac’s Review” band.  After that famed Puerto Rican crooner, Tito Rodriguez offered Feliciano a spot in his big band that played at the Palladium Ballroom.   In 1955, Rodríguez found out that Joe Cuba was in need of a singer for his sextet and he knew what a talented singer Cheo was; so he recommended Cuba that he try out for the position. Feliciano became a vocalist for the Joe Cuba Sextet one of the most popular bands at the time. Feliciano was the rare baritone of salsa singers, and his deep voice and quick humor in improvisation made him un favorite dentro del public Latino.

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On October 5, 1957, was Feliciano’s professional debut  as a vocalist with the Joe Cuba Sextet, singing “Perfidia”. He sang with Joe Cuba for 10 years. In 1967, he joined the Eddie Palmieri Orchestra singing for them for two years. Sadly at the same time he developed a drug habit at just 21 years old. Cheo quickly fell into a heroin addiction which threatened his life and professional career. Feliciano decided to quit “cold turkey” and eventually joined Puerto Rico’s rehabilitation center, Hoagies CREA.  Feliciano credits Tite Curet Alonso, the author of most of his hits and best friend, with pushing him through  rehabilitation. As a result, Feliciano was a vehement anti-drug spokesperson, who volunteered to assist in the rehabilitation of fellow salsa artists who fell prey to drug addiction.

In 1972, Feliciano came back to music with the album Cheo, his first solo recording. The album, which featured compositions by Tite Curet, broke all sales records in the Latino music market. The album was loaded with hits like “Anacaona” and “Mi Triste Problema”

During the 1970s, Feliciano recorded fifteen albums for Fania Records and had hits with “Amada Mia” and “Juan Albañil”. He also recorded one of his first albums of Boleros – La Voz Sensual de Cheo. Recorded in Argentina and directed by a famed composer Jorge Calandrelli Cheo’s star rose to new levels. And Feliciano became a part of the first salsa opera by Fania pianist “El Judio Maravilloso”, Larry Harlow, entitled Hommy.

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In 1982, Feliciano began his own record label – “Coche Records”. In 1984, he was honored by artists like Ruben Blades and Joe Cuba in a concert entitled A Tribute to Cheo Feliciano. The next year, he became the first tropical singer to perform at the Amira de la Rosa Theater in Barranquilla, Colombia. In 1987, he played Roberto Clemente’s father in the musical Clemente. Feliciano also became a hit in Spain, and was a regular in the Tenerife Carnival. 

In 1990, Feliciano recorded another album of Boleros, titled Los Feelings de Cheo. He also traveled all over Europe, Japan, Africa, and South America. In Venezuela, he had a reunion with Eddie Palmieri. In 1995, Feliciano won a Platinum Record Award for La Combinación Perfecta.

In 2000, Feliciano recorded Una Voz, Mil Recuerdos as a tribute to various Puerto Rican singers. The album was listed among the 20 outstanding recordings of the year by the National Foundation of the Popular Culture of Puerto Rico. In 2002, he recorded Cheo en la Intimidad. In 2012, Feliciano and Ruben Blades released a collaboration album titled Eba Say Aja where both artists performed each other’s previously recorded songs. In June 2013, Feliciano confirmed that he was suffering from liver cancer and was already undergoing chemotherapy treatment. Doctors discovered the illness when they were treating him for a dislocated shoulder.  In 2014, Feliciano celebrated being “cancer-free”.

 

A memorial service in honor of Feliciano was held at the Roberto Clemente Coliseum in San Juan on April 20, 2014. The service was attended by thousands and several artists paid their respects to Feliciano with songs plus kept guard by Feliciano’s coffin. Artists and groups like Danny Rivera, José Nogueras, Fania All-Stars, Gilberto Santa Rosa, Rubén Blades, Víctor Manuelle, Andy Montañez, Tito Nieves, and others were present.  The next day, his body was taken to the city of Ponce, where he was born. A public service was held at the Ponce Convention Center, led by Governor Alejandro García Padilla and Mayor María “Mayita” Meléndez. After that, a private ceremony was held for the family and close friends inside La Piedad Cemetery. Although the public was not allowed entrance at first, the gates were opened once the family finished their memorial.  Feliciano became part of Sergio George’s group called Salsa Giants whom he was touring with when he died.  Feliciano traveled and sang across the globe until his last day.

LaVidaEnBlack History Month Day 3

LaVidaEnBlack History Month Day 3

It’s important to know who we are, from whom and from where we were formed… by telling the stories ourselves, we honor our ancestors, Aguanile, Mai, Mai…

Gracias Profe Evo!

Posting from the DMV, February 1, 2016

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Aspectos del corregimiento de San Basilio de Palenque, zona rural del municipio de Mahates. Imágenes para especial de turismo cultural

Benkos Biohó (late 16th century — 1621) was a young African King when siezed from his homeland, the Bissagos Islands off the Guinea Bissau coast by a Portuguese slave trader.  When the Spanish began to bring slaves from Africa to Colombia, there were some who escaped and formed free communities of Cimarrones and their enclaves were known as Palenques.

Benkos Biohó is the most famous of all Cimarrones. He arrived in Cartagena de Indias in 1599, where he was sold as a slave. Biohó made his first escape when the boat that was transporting him down the Magdalena River sank. He was recaptured, but escaped again in 1599 into the marshy lands southeast of Cartagena. He organized an army that came to dominate all of the Montes de Maria region.

The brutal mistreatment of slaves served as an impetus for rebellions.  Biohó, raised as a King in Africa used his leadership skills in Colombia with other slaves and bandeded together to rebel and flee their captors.  Bioho took his wife, three other men and three other women, plus an additional 22 slaves rebeled and fled with them. The group of 30 headed out into the swamps and camped near the village of Tolú over 50 miles away.

Bioho proceeded to organize the Palenque into a well guarded fortress, fit for a King. For years the group launched attacks on Spanish interests and were almost unstoppable. King Benkos formed an intelligence network and used the information to organize more escapes and guided the runaway slaves into their liberated territory, known as settlement. He used the title “King of Arcabuco“.

The Governor of Cartagena furiously tried to stop the Cimaronnes, but failed.  So on the 18th of July 1605, the Governor of Cartagena, offered a peace treaty to Biohó.  In this agreement the Spaniards would recognize the autonomy of the Matuna Bioho Palenque and accept his entrance into the city armed and dressed in the Spanish fashion.  The Cimarrones in turn promised to stop receiving more runaway slaves, cease their aid in escape attempts and stop addressing Biohó as “King”.  A Peace Accord was finally established in 1612.

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Statue of Benkos Biohos

 

In 1713 it became the first free village in the Americas by decree from the King of Spain, when he gave up sending his troops on futile missions to attack their fortified mountain hideaway. Biohó established the maroon community of San Basilio de Palenque some time in the 16th century. Unfortunately Biohó was betrayed and hanged by the governor of Cartagena in 1619.

The treaty was violated in 1619 when they captured Biohó as he was walking unguarded and unarmed into the city. He was hanged and quartered on 16 March 1621. Governor Garcia Giron ordered the execution and argued bitterly that “it was dangerous the respect Biohó generated in the population” claiming that “his lies and enchantment would drive the nations of Guinea away from the city.”  But the Palenque survived and by the end of the seventeenth century, the area of Montes de Maria had over 600 Cimarrones living freely.  While under the command of Domingo Padilla and his wife Jane, the team successfully challenged further attempts at relinquishing sovereignty from the colonial authorities.

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Los Cimarrones

Of their numerous significant contributions, palenques played an important role in the conservation of African traditions and culture in Colombia. The San Basilio Palenque, on the Atlantic coast, has survived centuries maintaining African social and cultural traditions in the Americas. Palenques and other Escaped slave communities are an important source for research of various historic, anthropologic and linguistic studies documenting the African significance and dominance in Colombian culture.

San Basilio de Palenque was declared Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2005.[1] At about 50 miles east of Cartagena, on hills of strategic value were used as lookout posts, still hear the names of the runaway Neighborhood: Sincerin, Mahates, Gambote.